Converse ad featuring Karina of aespa sparks racism accusations
Converse removed an image of Karina of aespa from the Chuck 70 X campaign and apologized: users saw references to the Ku Klux Klan and lynching in the composition. The brand refused to explain how the photo passed approval.

Converse has removed an advertising image featuring Karina, a singer from the K-pop group aespa, and issued an apology after accusations of racist imagery. Part of the audience saw references to the Ku Klux Klan hood and a lynching victim in the composition, AdWeek reports.
The scandal began on September 3. That day, Converse's official Threads* account posted a photo from the campaign for the new Chuck 70 X model. The sneakers had their global release on August 27, and Karina — the brand's global ambassador — became one of the faces of the launch.
In the controversial image, the singer stands in a long white skirt, holding black sneakers in her hand, with a spotlight shining down on her. Due to the shadows, the skirt formed a pointed triangle that reminded users of a Ku Klux Klan hood. The black sneakers, suspended by their laces, were associated with the legs of a lynching victim. There is no evidence that the creators intentionally embedded such imagery — this is an interpretation by part of the audience.
A second image added scale
Amid the scandal, another Converse image spread on social media: a man stands on a ladder near a tree, holding a pair of sneakers above his head. The photo is not part of the campaign with Karina — it is an ad for Converse's collaboration with the Danish lifestyle brand Palmes, dedicated to the Jack Purcell PDM tennis model. The collection was released in September.
Users began posting the two images side by side. The combination of a tree, a ladder, and footwear again evoked associations with lynching and amplified the scandal. However, claims that both photographs were created by the same team are unconfirmed: according to Snopes, citing Palmes's founder, the Converse x Palmes campaign was shot in Italy.
The reaction
American actress Yvette Nicole Brown asked on Threads* whether what she saw was a lynching scene. Fitness blogger Kida Marie, comparing the two creatives, said the song Strange Fruit immediately came to mind — it became famous in Billie Holiday's performance and is dedicated to the lynchings of Black Americans. Other users called for a boycott of Converse and the firing of employees involved in creating and approving the ad.
No consensus emerged on social media. Some commenters considered the scandal the result of over-interpretation and pointed to the original concept: Karina stands under a spotlight shaped like Converse's signature star, and the caption to the post also played on the brand's star.
The company's response
Converse acknowledged the mistake and began removing the image from its resources. On the Chuck 70 X page, the image was replaced with other content featuring Karina. That was effectively the end of the public response: the brand did not explain the concept, did not say who was responsible for creating the photo, and declined to answer Associated Press's questions about its ad review procedures.
The topic of internal approvals became central. Users asked how many stages — from the creative team to marketing, lawyers, and management — the photo could have passed through before publication. American civil rights attorney Lee Merritt emphasized that an apology after publication does not answer the question of why potentially problematic imagery was not identified earlier.
A similar controversy arose a few weeks earlier around Callaway and Good Good: after the video was removed, the parties discussed who exactly had approved it. Advertising industry experts pointed out that the problem goes beyond a single employee's mistake — the volume of content and the number of platforms and partners are growing, while review systems do not always keep up with the pace of production.
*A product of Meta, recognized as extremist and banned in Russia
Source: AdIndex; Source: adweek.com
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